![]() ![]() Measuring 8cm long, 7.5cm wide and weighing as little as 88g, the custom-built drive neatly fits into the Shogun CONNECT without impacting the overall footprint of the device. The AtomX SSDmini drives are able to record up to 150 minutes of 4K ProRes. They support up to 4TB storage, sequential read speeds of up to 550MB/s and write speeds up to 500MB/s. AtomX SSDmini drives are more compact than standard SATA SSDs and offer an affordable alternative to an SD card of similar capacity or performance. Shogun CONNECT supports removable SSD drives, which provide the space and sustained performance to meet these needs. The ability to record up to 8K using advanced edit-ready formats including ProRes RAW, ProRes, and DNxHD/HR requires fast, robust, and expansive storage. SDI RAW provides the ultimate experience in terms of flexibility and quality, which makes Shogun CONNECT the ideal choice for big budget filmmakers around the world. The robustness and utility of SDI is critical for the productions that rely on it. Shogun CONNECT also includes 12G-SDI input, the standard on high-end cinema cameras, including the Sony FX series, Panasonic EVA1, and Canon EOS C series. Shogun CONNECT is designed to maximize the quality of your videos and allow you to extend every aspect of your creative vision. Additionally, if you’re shooting Log footage, the ability to bypass internal compression will offer the best possible dynamic range. Shogun CONNECT can record more color information and immediately add value to your production with your existing camera rig. If the camera is able to output video via HDMI, the quality can often be preserved in a 4:2:2 8-bit or 10-bit format. Simple, predictable pricing.Īn EditReady license is perpetual, works on Mac, and includes a year of updates and support.To save space and support longer recordings, many cameras record compressed 4:2:0 8-bit video internally. Use the overlay tool to burn-in timecode, reel names, shoot dates, media names, and other metadata. Layout custom formatted text, including metadata values from the source media. Import images with alpha channels to apply complex bugs or watermarks. Use the overlay editor to position graphical elements for compositing on top of your video. Play back, trim, add LUTsĪnd there's more: screen your camera's original media files before you transcode them, apply a LUT to preview your Log media with or without a specific predetermined look, check your previewed clip in ScopeBox via our integrated ScopeLink connection, and set In and Out points to avoid transcoding unwanted parts of your clips. EditReady's unique color pipeline make this a breeze, translating everything to what you need it to be, without compromises. When a shoot mixes camera formats, you'll end up with a variety of color spaces, Log types, HDR formats, and LUTs. The end result? A high quality proxy that's easy to edit with, with all the flexibility a non-RAW format carries. ![]() EditReady uses each vendor's specific RAW decoder, using the vendor preferred Log format to reflect the original shooting intent. ![]() Use metadata to automatically rename files, or burn data into overlays. Review and edit metadataĮditReady lets you view and edit all of the metadata associated with your file, including location data, camera settings, and diagnostic information. Every codec gets transcoded as its makers intended it to. No unofficial frameworks, and zero hacks. Using each manufacturers' original SDK wherever possible to ensure the best quality transcodes. ![]()
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